TOD‘S 表参道大楼

  • 来源:建筑创作
  • 关键字:TOD’S 表参道,东京,办公室
  • 发布时间:2014-04-11 16:03

  TOD’S表参道大楼建在东京表参道,是售卖靴子、手袋等名牌“TOD‘S”的旗舰大楼。这是一幢七层的建筑,低层部分是商店,中高层部分作为办公室、聚会场所使用。

  Located in the fashionable Omotesando area of Tokyo, this building was built especially for TOD’s, an Italian shoe and handbag brand. The lower levels of this seven-story building are used as a shop, with the middle and upper levels containing offices and a multi-purpose space.

  这幢L形的大楼表面布满了估计是榉树的树状剪影,让人感觉到了非常强烈的一体感。既是表面图案又是建筑结构体的表层(树枝剪影),是通过在300毫米厚的混凝土和金属框架之间镶嵌玻璃形成的。这样构建出的表层,支撑着跨度为10 ~15米的楼板,室内没有任何柱子。

  Since the site is L-shaped and has a narrow frontage, in order to give the building a unified volume we enclosed the site with a wallthat gives the impression of a row of Zelkova trees. This exterior surface serves as both graphic pattern and structural system, and iscomposed of 300mm-thick concrete and flush-mounted frameless glass. The resulting surface supports floor slabs spanning 10-15 meterswithout any internal columns.

  对应着在表参道建造时尚品牌旗舰大楼这一课题,混合选择了混凝土这一材料,赋予了这一建筑周边林立的玻璃建筑所没有的物质感和强烈的冲击感。这一混凝土建筑,并不是表现了以前就有的重量感,而是表现出了装饰和结构没有区别的新样貌。

  Given the character around the site in Omotesando, where many luxury brand boutiques have been built, by selecting concrete as amaterial we boldly proposed a substance and strength absent from the adjacent “glass architecture”. This concrete structure however, isnot simply used as in conventional architecture to express the volume or the massiveness of the walls. More than being merely a patternor a structure, this building instead acquires a new dimension relating to the notion of surface.

  树木是独立的自然物,它的形状拥有构造的合理性。通过相互重叠的树状影像合理分配力的流动。采用分叉的树木图案,树枝结构自下而上的形状和密度的变化与上下不同的室内空间的功能形成松散而微妙的对应关系。

  Trees are natural objects that stand by themselves and their shape has an inherent structural rationality. The pattern of overlapping treesilhouettes also generates a rational flow of forces. Having adapted the branched tree diagram, the higher you move up the building, thethinner and more numerous the branches become, with a higher ratio of openings. Similarly, the building unfolds as interior spaces withslightly different atmospheres relating to the various intended uses.

  拒绝了墙体的封闭与开口、线与面、平面与立体、透明与不透明这种明确的区分,给这幢建筑赋予了即物的抽象感这一特点。极具象征性的树状剪影所具有的具象性,在保持了抽象性和紧张关系的同时,创造出一种新的风景。这幢建筑的建筑理念是想要通过建筑的创新来同时表现出作为时尚品牌所具有的鲜明的存在感和在街道中对时间流逝的承受力。

  Rejecting the obvious distinctions between walls and openings, lines and planes, two- and three-dimensions, transparency and opaqueness, this architecture is characterized by distinctive type of abstractness. The tree silhouette creates a new image, with a constanttension generated between the building’s symbolic concreteness and its abstractness. For this project, we intended to generate a newarchitecture and a vivid presence for a fashion brand, with a strength that will withstand the passage of time in the cityscape.

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