简介：This paper analyzes compositional strategies of Russian avant-garde architecture from the 1920s and 1930s through the study of the work of Ivan Leonidov (1902-1959), one of the leading and most prolific architects of this movement. In this study,Leonidov’s work is located within its predominant architectural context, and his work is interpreted not only as a reaction against the domineering principles of classicism, but as an evolution and selective continuation of key concepts directly translated from architectural academism.
简介：This paper analyzes compositional strategies of Russian avant-garde architecture from the 1920s and 1930s through the study of the work of Ivan Leonidov (1902-1959), one of the leading and most prolific architects of this movement. In this study,Leonidov’s work is located within its predominant architectural context, and his work is interpreted not only as a reaction against the domineering principles of classicism, but as an evolution and selective continuation of key concepts directly translated from architectural academism.